702-840-3488 desouza3d@gmail.com

Magic, Meaning, or Messaging

I am often asked about why I do what I do. A fair question is: Why would anyone strive to become a prolific producer of 3D digital art that spans over a decade?

Scene from one of my illustrated stories — This 2017 image from my illustrated short short “Best of Beck” is emblematic of my creative works. There are highly masculine men depicted. There is a sense of peril that has endangered at least one of the men. If there is any “message” in works of mine such as this, here we go: Men can be violent and unpredictable, so keep your eyes open for opportunities for your survival. I follow in the footsteps of Tom of Finland, whose “message” rang through to me loud and clear a long time ago.

But, honestly, I am not a message-oriented artist. I suppose there always is some kind of messaging that I must be conveying through my creative works. And yet, I do not start out with a particular sense of message when I produce creative works. Messages just happen. Is that magic? Nor do I strive to be considered prolific. That just happens by itself.

Three horny guys on a sofa — This illustration is especially typical for me. I show highly masculine men caught in the act of being true to their inner nature and drives. I think it is entertaining to look at such men as they behave either badly or admirably. That motivates me to keep creating visual works like I do featuring the exploits of men.

The year 2018 represents the 12th consecutive year during which I have produced my creative visual works. I consistently keep repeating this same disclaimer: What I do is create concept pop art—visual pop culture artifacts that convey ideas. It is entirely make-believe. It is not real. I do not want anybody to mistake my photo-realistic works as representing real, living people. This is entirely made-up stuff. It is fiction. I am not advocating that anyone should view young men in our physical world merely as sex objects. I am not a proponent of powerful men in our physical world taking advantage of and hurting vulnerable young men. All that I create is pure storytelling for enjoyment within your mind.

Innocent life lost — This illustration depicts what I see as one wasteful loss of a young man’s life. That sense of loss of young men’s lives is a recurring storytelling theme I have used for over a decade of creating 3D digital art.

Effects of chained bondage — Here’s another example of loss. The chained captive is completely at the mercy of a man who likely is not his friend. What can one take from this? I leave that to you to figure out for yourself.

Which man is the submissive one? — I enjoy twisting my viewers’ expectations. In this illustration, does it really matter which of these men is the dominant one versus which is submissive? More: Unwilling Fucking.

Fire is final — The title (“Fire is Final”) of this particularly throubling image kind of expresses all that needs to be said, doesn’t it?

Do not point a loaded gun at your cock and balls — This illustration might be used in support of an urgent public safety message campaign for men: Do not point a loaded gun at your cock and balls. That is metaphorical. But, would anyone take it to heart?

Cowboys died in the barn — I am convinced that there is NOT always a particular message that I hope to convey in my creative visual works. For example, this message: Do not shove sharp objects through a man’s skull. Think about it.

Grab for what you want — During the 1960s and 1970s, the legendary Schlitz Brewing Company used a phrase in their beer advertising: Reach for the gusto. That archaic marketing phrase expressed the very worthwhile idea that you should seek delight, pleasure and enjoyment. My creative works embody much the same kind of philosophy. But, I just say it plainly: Grab for what you want.

Show respect for the big man, then spit-roast him while giving him a reach-around
— You just may find that one big man who deserves your show of respect for his masculinity. Don’t hold back! Push him far beyond his limits. Invite a buddy over for showing some two-on-one respect for his masculinity. Then, finish off the big man: Spit-roast him and give him a reach-around. He will never forget what you’ve done to him.

Behind-the-Scenes Secrets

It always begins on a blank screen in the app.You probably never thought the day would come when Madeira Desouza would show you behind-the-scenes secrets of 3D digital art. Well, here we go…

All of what you see here today comes from practical, hands-on experience in creating digital art for more than a decade—not from time spent in school.

This information session covers my creation of male characters with a rare behind-the-scenes perspective. The majority of digital art creators depict women, so you can easily find other places to learn about how those creators work. But, this site and this information session is exclusively devoted to depictions of male characters.

You can learn from all this if you are interested in creating male characters for your own 3D digital art.

Here I will explore photorealistic images created as 3D digital art (not flat 2 dimensional art) for depicting realistic human characters.The most common uses of digital art today are in video games and TV commercials and digital animation for full-length Hollywood motion pictures.

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Skills and Talents

Before I jump into the processes behind how I work, I hope you will accept the reality that merely acquiring a device and an app will not necessarily enable you to produce visual works that are any good. Getting a basketball won’t make you an athlete who is ready for the NBA. Getting a word processing app won’t make you a best-selling writer. The same holds true about using devices and apps for producing digital illustrations.

You must be born with certain specific talents relative to all others so you may succeed at a professional level in any endeavor that requires sharp coordination between your brain, your eyes, and your hands. That is simply one of the rules of real life that cannot be altered merely by wishing something else were true.

Required Talents for Producing 3D Images

  • Aesthetic: create visually appealing shapes, colors, lighting, staging and cinematographic composition in a scene produced within an app
  • Narrative: conceive of fictional characters who demonstrate behaviors and experiences that will be credible to audiences
  • Technical: translate what’s in your mind through your fingers onto a computer screen using an app

It may be beneficial for you to learn tactics and techniques through classroom or online instruction and training. You can also refine your skills if you can find and emulate best practices of people whose works you respect and who may have influenced you. Just jump into it and keep trying to convey what’s in your mind onto the screen using apps. But, you genuinely must be someone who was born with aesthetic, narrative, and technical talents to enable you to create 3D illustrations if you expect to be taken seriously.

Devices

If you want to produce 3D illustrations, you must use a computerized device. Personally, from the very beginning of doing this kind of production in 2007, I have favored Apple devices. This preference of mine is due to the operating systems and the devices that Apple has sold over the years. I also am attracted to the simplicity and elegance of Apple devices and apps. It is also true that I have never met anyone who uses Apple devices who is unhappy about that choice!

While it is possible to work in visual production using hand-held devices, I recommend that if you are serious about producing 3D illustrations, you should accept the need for working using a sufficiently large monitor on which to display your works in progress. Creating works using only a four- or five- or eight-inch screen ultimately will constrain your output and without a sufficiently large monitor, you won’t be able to see the overall context or the level of detail in your visual creations.

Using Devices and Apps

If you are serious about producing visual works, my belief is that you also must develop and demonstrate a true flexibility using devices and apps. This is why I recommend that you should work diligently to become comfortable using devices and apps that are created for the Windows operating systems once you master the Apple operating system and devices. At this point in my life, I use Apple and Windows devices and apps interchangably without any adjustment issues in switching back and forth. This is a skill set that you, too, can learn if you apply yourself.

When I started out producing 3D digital illustrations, I initially used software named Poser that was developed in 1995. Learn more about Poser.

Shown below are some of my earliest attempts to create illustrations of men from 2007. I have to admit that these look very primitive and awkward. At that time, I had not yet arrived at the level of skill that I have today.

2007_render_cowboy 2007_B_render

Recommendation

Because I came to feel very restricted by the way Poser works, I went in search of some other software that would better suit the way I work. I’m pleased to report that I found it! DAZ (Digital Art Zone) 3D Studio is what I use exclusively today and what I recommend to anyone.

Watch this short (two-minute) video and you will see why I am excited to recommend this particular software:

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Step-by-Step Using DAZ 3D Studio

It always begins on a blank screen in the app. Next, I often add a visually-neutral background such as what’s known as an infinity cove, which will not pull the viewer’s focus away from the characters that I will put into the scene.

For this demonstration I next add a prop to the scene—an ordinary wooden ladder.

Then it is time to add at least one human character to the scene. The app affords you a huge selection of resources that you can purchase separately so that you end up with component parts that you can pull together to tell a story visually. The character starts out looking very incomplete (no genitalia) and maybe just a little physically unhealthy compared to how a normal human being looks in real life. Note that nudity is always completely optional when creating characters since you can add costuming or other clothing as you wish depending on what you are trying to accomplish visually.

The character’s body will always need to be posed in a specific way (head, arms, hands, chest, midsection, legs, feet) since the character does not come out of the app posed exactly as can be envisioned. I have already made creative decisions about the stage lighting in the scene that I’m creating and where the camera is situated compared to the characters. All of these elements (lights, camera, scene props, and, characters) I think about and plan in advance. Then, I adjust everything within the workscreen of the app.

Within the app, I can fine-tune how I want a character to look. This involves changing his body shape so that he looks realistic like a man would look in the physical world in which we all are living.

Developing the character’s overall look and his personality also is not “automatic” and many choices must be made to get exactly what you want in a character. Once I add hair on his head and face, he begins to become recognizable as a possible human being you might actually meet. Giving him a pair of blue jeans to wear can be a good finishing touch. I usually give the character a name. This character I named “Mal”—a nickname for Malcolm.

A similar process must be used for each and every character that I place into the story. This can be incredibly time-consuming depending on the total number of characters in the scene. Here are establishing shots of the three characters standing in front of the wooden ladder before the story begins. These are supposed to look as if I’d been a photographer shooting in a studio where three real-life male actors are involved in telling a story visually.

One last storytelling element comes next. The character Mal has to be shown climbing up the ladder because that’s where he is supposed to be when the scene starts. Of course, this guy goofs off for the others while making his way to the very top just like we might expect an actor to do on the set before filming begins.

The last step I take is to bring all the elements together to create a specific story. A clear example is here in this short (two-minute) video that I narrate to show you what happens in the story as a demonstration of the use of sequential art (as in comics):
 

 
When Mal doesn’t move or talk after he hit his head hard on the floor, suddenly the other two guys realize that something very bad has happened to him. Ya think?

Most people know that in the real world, you should never move an injured person at the scene of an accident, right? Well, what do you think the chosen course of action is for the two guys that are now in full panic mode?


Thank you for your interest in this behind-the-scenes look at how I create my 3D digital images. Contact me if you would like to learn more about creating 3D digital images.

 

Gay Men Deserve Life Coaching, Too

We all have seen news reports of guys who admit to having been bullied for being gay and who then take their own life. This is tragic, but is it surprising?

 
We live in a contemporary society in which technology bombards us all with mixed messages that all of us–straight and gay–cannot avoid even if we try:

  • You can pray away the gay
  • You can use your mind to change yourself from gay to straight
  • You can turn to medications to change from gay to straight
  • You can turn to a specialist to “convert” you from gay to straight
  • You can turn to an organized religion to “save” you from being gay
  • You are a sinner for being gay, but you certainly deserve forgiveness
  • You can just find the “right woman” who will turn you from gay to straight
  • You can “just say no” to being gay

 
One way to steer clear of the strong confusion of conflicting messages from a wide variety of authority figures is to get involved in life coaching designed for gay men.

 
This practical solution is an antidote to harmful prejudice and condemnation. Everyone deserves the opportunity to attain a solid emotional balance that is enabled through life coaching. http://gaymenlifecoaching.com/

 

Gay Men Deserve Life Coaching, Too

We all have seen news reports of guys who admit to having been bullied for being gay and who then take their own life. This is tragic, but is it surprising?

 
We live in a contemporary society in which technology bombards us all with mixed messages that all of us–straight and gay–cannot avoid even if we try:

  • You can pray away the gay
  • You can use your mind to change yourself from gay to straight
  • You can turn to medications to change from gay to straight
  • You can turn to a specialist to “convert” you from gay to straight
  • You can turn to an organized religion to “save” you from being gay
  • You are a sinner for being gay, but you certainly deserve forgiveness
  • You can just find the “right woman” who will turn you from gay to straight
  • You can “just say no” to being gay

 
One way to steer clear of the strong confusion of conflicting messages from a wide variety of authority figures is to get involved in life coaching designed for gay men.

 
This practical solution is an antidote to harmful prejudice and condemnation. Everyone deserves the opportunity to attain a solid emotional balance that is enabled through life coaching. http://gaymenlifecoaching.com/